Kevin Romero.

Flamenco guitarist, guitar teacher, and flamenco fashion designer.

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Soleá Matices Bulería Toque Sello Propio Compás Siguiriya Soniquete Falseta Duende Rajeo Alegrías Arpeggio Taranta Picado Farruca Tangos Soleá Matices Bulería Toque Sello Propio Compás Siguiriya Soniquete Falseta Duende Rajeo Alegrías Arpeggio Taranta Picado Farruca Tangos
Flamenco guitar close-up

About

Guitarist. Scholar.
Teacher.

Kevin Romero is a flamenco guitarist and doctoral candidate at the College of Music, University of Colorado Boulder, writing a dissertation titled "Flamenco: Lament and Other Embodied Cultural Models."

His research bridges Music History, Ethnomusicology, Cultural Anthropology, Music Theory, and Embodied Cognition — examining how flamenco is transmitted, internalized, and transformed across cultures and bodies.

Beyond the academy, Kevin designs music-inspired apparel and teaches flamenco guitar at every level — from first rasgueo to advanced composition.

Ethnomusicology Music Theory Cultural Anthropology Embodied Cognition Flamenco Guitar

Learn Flamenco

Online Courses

Structured lessons from foundational technique to advanced theory. Video, notation, guided practice — learn at your own pace.

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Course 01

Foundations of Toque

Build from the ground up — rasgueos, picados, arpegios, and the rhythmic vocabulary of compás that anchors every palo.

Course 02

Soleá & Cante Jondo

The soul of flamenco — explore deep song through the soleá, its emotional architecture, history, and structure.

Course 03

Theory & Composition

Academic approach to flamenco harmony, voice-leading, and the interplay of tradition and innovation in modern toque.

Merch

Wearable Arte

Original designs rooted in flamenco culture, history, and aesthetic. For guitarists, aficionados, and anyone who feels the duende.

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Research

The Unfinished Dissertation

Flamenco:
Lament and Other Embodied Cultural Models

An in-progress doctoral thesis at the College of Music, University of Colorado Boulder — examining how flamenco guitar technique is transmitted across cultures through embodied practice, bridging the gap between scholarly analysis and lived musical experience.

Ethnomusicology Cultural Anthropology Music Theory Embodied Cognition

Contact

Let's Connect

For lessons, collaborations, speaking engagements, wholesale, or to talk flamenco.